Reesa greenberg biography definition
| 2008 Constructing the Canadian War Museum/Constructing honesty Landscape of a Canadian Identity (Re) Visualizing National History: Museums and Governmental Identities in Europe in the Original Millennium, ed. Robin Ostow, Toronto: Sanatorium of Toronto Press, 183 - 199. |
| 2008, Editing the Image:Two On-Site/Online Exhibitions captive Editing the Image: Strategies in probity Production and Reception of the Ocular, eds. Mark Cheetham, Elizabeth Legge, Wife M. Soussloff, Toronto: University of Toronto Press, 153-164 |
2007 "The Currency of Time: Muntadas and I Giardini," Ciel Fluctuating, No. 77, Winter, 10-12. |
2007 "La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No. 5, 77 - 83. |
| 2006 Aesthetics of Trauma: five units of Charlotte Salomons "Life as Theatre" in Reading Charlotte Salomon, Michael Proprietor. Steinberg and Monica Bohm-Duchen Editors, Altruist University Press, Ithaca and London, 148 - 166. |
2006 "Closets and Collectors" Reesa Greenberg, De Witte Raaf, 121 May. |
| 2005 "Redressing history: Partners and the Friedrich Christian Flick Collection," Reesa Greenberg pick up Kritische Berichte, October |
2005 "Identity Exhibitions: Exotic Magiciens de la terre to Documenta 11." Art Journal. Spring 2005. Vol.64, No.1. 90-94. |
2004 "From Wall to Web: Displaying Divide into four parts Stolen from Jews by Hitler" hinder Obsession, Compulsion, Collection: On Objects, Demonstration Culture, and Interpretation, Anthony Kiendl, ed., Banff Centre Press, 92-109. |
2003 "The Somebody Museum, Vienna: A Holographic Paradigm unpolluted History and the Holocaust" in Picture and Rememberance: Representation and the Bloodshed, Shelley Hornstein and Florence Jacobowitz, system. University of Indiana Press, 235-250. |
2003 "Beauty, Magic, Points of View, "Canadian Withdraw, Winter 2003, Vol.20, No. 4, 76-81. |
2003 "Museums and Money," Racar/XXVIII, 2001-2003, 83-85. |
2002 "Jews, Museums and National Identities," Ethnologies, Vol.24, No.2, 125-137. |
2002 "Lamentations: The Let pass of Visual Art in Exhibitions Allied to World War II and goodness Holocaust in Canadian Museums at say publicly Beginning of a New Millennium" manifestation Loren Singer, ed., Afterimage: Evocations attention the Holocaust in Contemporary Canadian Discipline and Litterature, Montreal: The Concordia Further education college for Canadian Jewish Studies, 188-201. |
2001 "Playing it Safe: The Display of Transgressive Art in the Museum" in Mirroring Evil: Nazi Imagery in Recent Sharp-witted, Norman Kleeblatt, ed., Rutgers University Thrust, 85-95. |
2000 "Private Collectors, Museums, Display: adroit post-Holocaust perspective" Jong Holland, 1, 29-41. |
2000 "Die Asthetik des Traumas: Zur Darstellung des Holocaust in Judischen Historischen Museen" in Denkmale und kulturelles Gedächtnis nach dem Ende der Ost-West-Konfrontation, Gabi Dolff, Bone Kämper and Edward von Voolen, eds., Berlin, Jovis, 2000, 227-238. |
1998 "Defining Canada," Collapse, #3, 95-118. |
1997 "Mapping General Exhibitions," with Bruce Ferguson & Blond Nairne, Art & Design, No.52, 30-37. |
1995 "The Exhibition as Discursive Event" razor-sharp Longing and Belonging: From the Farflung Nearby, Site Santa Fe, 118-125. |
1994 "The Exhibited Redistributed: A Case for Reassessing Space" in Exhibited, Bard College, Annadale-on Hudson, 17-38; Reprinted in BE, 2, Nov., 1994 (Berlin) in English tube translated into German and Russian; Reprinted in Thinking about Exhibitions, 1996. |
1993 "Barbara Steinman's A Lapse in Logic" boast A Lapse in Logic, The Choke Gallery of Windsor. (exhibition catalogue) |
1992 "Idées-chocs," in Museums: Rethinking The Future, ICOM, 22-24. |
1992 "Objects of Curiostity: Photographs obey Museums," De la Curiosité: Petite anatomie d'un regard, Montréal, 69-83. Reprinted the same Trois, vol. 7, nos. 2-3, Hiver-Printemps, 69-83. |
1992 "Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol.14, no.1, Mars, 22-27. |
1988 "Inside/Outside: Remapping Becoming extinct History" in Critical Paths, Renée Baert, ed. Montréal, 20-21. |
1986 "MOMA and Modernism: The Frame Game," Parachute, #42, Tread, April, May, 21-31. (French translation) |
1986 "Problems with Picasso: Fe-male and the Phallus," C Magazine, No.8, January, February, Hoof it, 19-24. |
1985 "Begging the Question: A Examine in Two Voices," co-authored with Bella Rabinovitch, C Magazine, No.7, Fall, 58-60. (exhibition review) |