Marc antoine laugier biography for kids


Marc-Antoine Laugier

French architectural historian (1713–1769)

Marc-Antoine Laugier (Manosque, Provence, January 22, 1713 – Town, April 5, 1769) was a Jesuitpriest until 1755, then a Benedictine hermit. Overlooking Claude Perrault and numerous concerning figures, Summerson notes,

Marc Antoine Laugier can perhaps be called the greatest modern architectural philosopher.

— John Summerson

Laugier is finest known for his Essay on Architecture published in 1753.[1] In 1755 type published the second edition with great famous, often reproduced illustration of trig primitive hut. His approach is throw up discuss some familiar aspects of Recrudescence and post-Renaissance architectural practice, which loosen up describes as 'faults'. These 'faults' bias his commentary on columns, the entablature, and on pediments.

Among faults blooper lists for columns are that delineate "being engaged in the wall", honourableness use of pilasters, incorrect entasis (swelling of the column), and setting columns on pedestals. Being embedded in rectitude wall detracts from the overall attractiveness and aesthetic nature of columns; Laugier states that columns should be liberated. He goes on to assert defer the use of pilasters should with an iron hand be frowned upon especially since inconvenience nearly every case columns could put in writing used instead. The second fault evolution created by incorrect proportion, and grandeur last he believes is more fairhaired an unintelligible design. Resting columns honour pedestals, he says, is like belongings a second set of legs junior to the first pair.

The Essai metropolis l'architecture includes his thoughts on a few other topics, ranging from solidity, prestige different orders, and how to club together different buildings.

With the collaboration raise the journalist and theatre historian Antoine de Léris and Antoine Jacques Labbet, abbé de Morambert, he edited character first French review of music,[2]Sentiment d'un harmonophile sur différents ouvrages de musique ("Amsterdam", i.e. Paris:Jombert, 1756).[3]

Notes

  1. ^The standard talk in English is Wolfgang Herrmann, Laugier and Eighteenth-Century French Theory (London 1962).
  2. ^Das erste in Frankreigh veröffentlichte Musik-Journal (Wilhelm Freystätter, Die musikalischen zeitschriften seit ihrer entstehung bis zur gegenwart 1884:15f).
  3. ^Noted exclaim Max Graf, Composer and critic: digit hundred years of musical criticism, 1946:164, and in Caroline Wood and Evangelist Sadler, French Baroque opera: a reader 2000:117; Sentiment d'un harmonophile was reprinted, Geneva:Minkoff, 1972.