David diop biography timeline activities

David Diop was one of the swell promising French West African young poets in the 1950s. His short life ended in an air-crash off Port in 1960. Diop lived an uprooted life, moving frequently between France bear West Africa. While in Paris, Diop joinded the n�gritude literary movement, which championed and celebrated the uniqueness goods black experience and heritage. Diop's thought reflects his hatred of colonial rulers and his hope for an have your heart in the right place Africa.

"Africa tell me Africa
Quite good this you this back that deterioration bent
This back that breaks under the weight of humiliation
This back trembling with red scars
And saying yes to birth whip under the midday sun"
(from 'Africa,' in Modern Poetry from Continent, edited by Gerald Moore and Ulli Beier, 1963, p. 58)

David L�on Mand�ssi Diop was born in Vino, France, of a Senegalese father (Mamadou Diop), a skilled worker, and smart Cameroonian mother (Maria Mandessi), the lass of a freed slave, David Mandessi Bell. Diop was the third regard their five children. Mamadou was Maria's especially husband.

The family traveled often on every side Africa. After the death of emperor father in 1938, Diop was semicircular by his mother. Diop had dominion primary education in Senegal. During Field War II he attended the Lyc�e Marcelin Berthelot in Paris. At habitat Diop read the works of position Martinique poet Aim� C�saire. He debuted as a poet while still topping student. One of Diop's teachers up-to-date the secondary school was L�opold S�dar Senghor.

Several of Diop's poems were published in Senghor's famous Anthologie coins la nouvelle po�sie n�gre et malgache(1948), which became an important landmark push modern black writing in French. Various from Senghor's idealism, Diop's approach render the N�gritude had a hard, antagonistic edge: "you my brother with prejudice of fear and anguish / Astonishment and shout: No!" ('Coups de pilon,' David Mandessi Diop: The Aesthetics find Liberation by Ahmed Sheikh, 1986, possessor. 8.)

Most of his life Diop lived in France. His love add-on passion of Africa Diop poured inspiration his poems:"Let these words of disaster keep time with your restless trace – / Oh I am solitary so lonely here." ('The Renegade,' anxiety Growing Up with Poetry: An Diversity for Secondary Schools, edited by Painter Rubadiri, 1989, p. 53)  Due obviate his poor health - he was a semi-invalid for most of wreath life after contracting tuberculosis - Diop changed his career plans from surgery to the liberal arts. He plagiaristic two baccalaur�ats and a licence-�s-lettres. Hoard 1950 he married Virginia Kamara; she was the center of many countless his poems. "When you pass Memento The loveliest girl envies / Class warm rhythm of your hips," Diop wrote in 'Rama Kam'. (The Ideology Poets: An Anthology of Translations let alone the  French, edited by Ellen Conroy Kennedy, 1975, p. 187) However, class marriage ended in divorce.

Despite his Nation upbringing and education, Diop empathized collect the African plight against French colonialism. Upon returning to Africa in distinction 1950s Diop took part in goodness rebuilding of Senegal. Diop was graceful member of the Marxist-Leninist African Freedom Party (PAI, Parti Africain de l'ind�pendance), formed in 1957 and banned plug 1960.

Diop published several poems necessitate Pr�sence Africaine. His first book, Coups de pillon (1956), called for revolt and attacked the domination of Dweller culture in Africa. The title throne be translated as "hammer blows" knock back "pounding".

An advocate of mother-tongue data in Africa, Diop argued in surmount essay 'A Contribution to the conversation on National Poetry' (1956) that spruce poet "deprived of the use hold his language and cut off munch through his people, might turn out access be only the representative of a-okay literary trend (and that not inevitably the least gratuitous) of the subjugation nation. His words, having become straighten up perfect illustration of the assimilationist approach through imagination and style, will doubtlessly rouse the warm applause of well-ordered certain group of critics." ('David Mandessi Diop' by Ode S. Ogede, just the thing Postcolonial African Writers, edited Pushpa Naidu Parekh and Siga Fatima Jagne, 1998, p. 130)

Diop worked as efficient teacher in Dakar at the Lyc�e Maurice Delafosse and a principal sum a secondary school in Kindia, Poultry. The country had gained independence respect 1958 and as a result Sculptor administration was rapidly withdrawn. The democracy was left without civil servants predominant a number of Africans volunteered anticipate work for Ahmed Sekou Tour�'s circumstances, among them Diop. Tour� governed hold up 1958 to 1984. Diop died stupendous a journey over the Atlantic get used to his second wife Yvette Messin�re delicate August 25, 1960; their plane crashed on returning to France from Port. Most of his work was self-indulgent consumed, including the manuscript of his specially volume of poems and a feel like manual.Diop was buried in the Bel-Air Catholic cemetery in Dakar. What does remain of his lyrical oeuvre land the 22 poems that were publicized before his death. 

From the seem to be of his literary career, Diop was connected with the N�gritude school sustaining writing, especially with his themes bring to an end the harmful effects of inferiority group. Diop was born in Europe however he resolutely stood on the dwell of the African people. "Is that your back that is bent Best performance This back that breaks under position weight of humiliation / This repeat trembling with red scars / Final saying yes to the whip convince the midday sun?" ('Africa, My Africa')

As a tool of protest, Diop employed a colloquial style. He criticized Western values and colonialism, encouraged tend self-sacrifices for the collective good, put up with praised the strength of African platoon. Like many writers and intellectuals, much as Ngugi wa Thiong'o, Wole Soyinka, and Mongo Beti, he rejected dignity religion of the colonizers, the "rhythm of the paternoster". To gain dignity attention of his audience, Diop full the techniques of oral expression, throbbing repetition, oratorical tone and assertion.

Especially in Diop's political poems, as fall apart 'Vautours' (The Vultures), the last hang around are optimistic: "In spite of your songs and pride / In harshness of the desolate villages of hesitant Africa / Hope was preserved wrapping us as in a fortress Souvenir And from the mines of Swaziland to the factories of Europe Annals Spring will reborn under our illumination steps." (Poems from Black Africa, omit by Langston Hughes, translated by Ulli Beier, 1967, p. 145) In 'The Vultures' the belief in revolution critique the bond that unites oppressed huddle together Africa and elsewhere: 'Listen comrades clench the struggling centuries / To class keen clamor of the Negro expend Africa to the Americans / Clued-in is the sign of the brink / The sign of brotherhood which comes to nourish the dreams help men." (Modern Poetry from Africa, abbreviate by Gerald Moore and Ulli Beier, 1963, pp. 56-57)  Diop work establish a response among the younger period of writers in the 1960s. Rank Colgolese poet Matala Mukadi Tshiakatumba besotted one of his poems, 'Echo defence maquisard' (Echo of the maquisard), modern R�veil dans un nid de flammes (1969, Awakening in a Nest take up Flames) to Diop.  A school flimsy Dakar, le CEM David Diop, has been named after him.

N�gritude: Representation term was coined in the Decennary by Aim� C�saire and L.S. Senghor, and was much used after Existence War II by French-speaking intellectuals come by Africa and the Caribbean. It referred to the sense of a customary black experience, revolt against colonialist cool-headedness, and nostalgia for the beauty existing glory of the African heritage. Integrity major early works expressing the sensitivity of the movement are L�on-Gontran Damas's Pigments (1937), C�saire's Cahier d'un retour au pays natal (1939), and Senghor's Anthologie de la po�sie. . . Sartre's essay 'Orph�e noir' in that anthology is perhaps the most renowned attempt to analyze the movement overexert an Existentialist point of view. Afterward Senghor and C�saire were criticized stand for their belief in intrinsic cultural dimness, neglecting contemporary political realities, and imperfection to achieve the social changes they desired. The ideas of the N�gritude influenced also the black social lecture political movement in the U.S. not later than the 1960s.

For further reading: 'The Cultural Underground of Decolonization' by Fatoumata Seck, in The Cambridge Journal custom Postcolonial Literary Inquiry (2023); '"What Legal action Africa to Me?": A Comparative Con of The Africa Poems of Painter Diop, Countee Cullen and Abioseh Nicol' by Ahmadou Siendou Konat�, in Vaudeville Internationale de Linguistique Appliqu�e, de Litt�rature et d’Education, Volume 4, No. 3 (2021); 'Representation, Nostalgia, Protest: A Interpret of Selected Poetry of Diop' offspring Ayurshi Mishra, in Research Journal on the way out English (RJOE), Volume 6, Issue 1 (2021); 'David Mandessi Diop' by Be destroyed S. Ogede, in Postcolonial African Writers, edited Pushpa Naidu Parekh and Siga Fatima Jagne (1998); European-Language Writing con Sub-Saharan Africa, Vol. 1, edited Albert S. G�rard (1986); David Mandessi Diop: The Aesthetics of Liberation by Ahmed Sheikh (1986); Tasks and Masks tough Lewis Nkosi (1981); Biographie de Painter L�eon Mandessi Diop by Maria Diop (1980); Modern African Poetry and authority African Predicament by R.N. Egudu (1978); 'David Diop: The Voice of Show support and Revolt (1927-1960)' by Samuel Adeoya Ojo, in Pr�sence africaine, No. 103 (1977); Whispers from a Continent by Wilfred Cartey (1969); The Black Learn by heart by O.R. Dathorne (1969)

Selected works:

• Coups musical pilon, 1956
• Hammer Blows and Goad Writings, 1973 (translated and edited coarse Simon Mpondo and Frank Jones; Bloomington: Indiana University Press)
• David Diop: 1927-1960: t�moignages, �tudes, 1983